HOW TO USE ADOBE PREMIERE PRO 6
5 FINAL TIPS
This is the fifth and final post in a series of tutorials about how to edit with Adobe Premiere Pro 6… and, rather appropriately, it contains five final tips.
Special thanks to www.creativecow.net.
KEYBOARD SHORTCUTS
HOW TO USE ADOBE PREMIERE PRO 6
EDITING AUDIO
This is the fourth post in a series of tutorials offering useful advice and tips on how to edit more effectively with Adobe Premiere Pro 6. This post contains 10 video tutorials about editing audio.
Special thanks to www.creativecow.net.
1) AUDIO EDITING BASICS FOR PREMIERE PRO AND SOUNDBOOTH
HOW TO USE ADOBE PREMIERE PRO 6
COLOUR CORRECTION
This is the third post in a series of tutorials about techniques that can be used when editing with Adobe Premiere Pro 6. It focuses on colour correction.
Thanks to www.creativecow.net.
BRIGHTNESS & CONTRAST
HOW TO USE ADOBE PREMIERE PRO 6
VIDEO & AUDIO TRANSITIONS
This post is the first in a series offering expert advice on how to edit using Adobe Premiere Pro 6 editing software. Each post concentrates on different editing techniques and includes a video tutorial produced by the experts at www.creativecow.net, who provide assistance to media professionals.
1) HOW TO EDIT VIDEO WITH ADOBE PREMIERE PRO 6
2) HOW TO EDIT AUDIO WITH GARAGEBAND
3) HOW TO RECORD AUDIO ON MARANTZ PMD620
This tutorial offers tips and advice on how to edit video and audio, and record audio for radio and audio podcasts. It’s a final reminder for students before they start full production, and will hopefully answer any questions that crop up during the production and post-production process.
THE KULESHOV EFFECT AND MONTAGE EDITING
The modern process of editing pictures to tell a story started to take shape nearly 100 years ago, when a Soviet film-maker created montage editing; a technique we now take for granted in television.
In the years after the communist revolution, Lev Kuleshov and other Soviet film-makers developed a more radical approach to editing that was inspired by the rapid editing and efficient storytelling of Hollywood adventure films (especially the films of D.W. Griffith). Kuleshov wanted to challenge how Russian films were made before the revolution – he despised their melodramatic, unadventurous style – and a visual experiment meant that Kuleshov entered cinematic folklore.
But this all happened about 100 years ago, I hear many of you say. What’s it got to do with digital editing today?
Well, plenty. It’s always important to understand the history of video production – especially something as important as telling stories with pictures – and the Kuleshov Effect still has the power to make you think about the impact of montage on the viewer.
Yes, even today…
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